It can also be used to raise (or, less commonly, lower) the overall volume of the compressed output of a track or folder. Its most common use is for smoothing out variations in volume between the louder and quieter parts of a track or folder. ![]() Right click on the plug-in's title bar for a toggle option to Send all keyboard input to plug-in. You can also (via the FX parameter list menu) assign a track control, automation envelope, parameter modulation, control device control or alias to any other of the plug-in's parameters, whether it has been touched or not. All of these actions are explained in the User Guide. It can also be used to assign your own preferred name (“alias”) to any parameter. This is most commonly used to create for the last touched FX parameter a track control, an automation envelope, parameter modulation or an assigned control surface control (such as a rotary or button). Topics such as channel splitting and sidechaining are covered in the User Guide. Both MIDI and audio connections can be made from the context menu that is displayed by right-clicking on this button. They are also used when sidechaining.Īudio connections can be made from the matrix that is displayed by clicking on the button. They can be used to split an audio signal between several channels, or indeed to rejoin them. This is a huge topic! The pin connectors are mostly used when a track consists of more than 2 channels. Toggles display of any plug-in between its own GUI and a “vanilla” GUI. ![]() One use for this control is to moderate an effect that sounds overdone, as can happen, for example, with delay, reverb or compression. At 50%, the wet and dry signals are mixed together in equal proportions. At 100% (the default setting) only the wet signal is heard. Default setting is engaged.Ĭontrols how much of the signal without the plug-in applied (“dry”) is mixed with a signal with the plug-in applied (“wet”).įor example, at 0%, only the dry signal is heard: this creates the same sound as setting the plug-in to bypass. When ticked, the plug-in is engaged: when not ticked it is set to bypass. Toggles keeping this FX window on top of other windows, even when not selected. Can be used to store current FX parameters as the default settings for that plug-in.Īlso gives access to Compatibility Settings menu. ![]() The various elements of this interface are explained within the User Guide, but for your convenience a summary of these features is shown here.ĭisplays a list of presets supplied with the plug-in, and/or added by the user.ĭisplays a menu for managing presets and (in the case of virtual instruments) patches and banks. 25 25 Super8 MIDI Controlled Synchronizerġ The REAPER FX Plugin Interface Īll plug-ins in REAPER – including third party AU, VST and DX plug-ins – are displayed wrapped in REAPER's plug-in interface.20.1 The Non-Nerds Guide to Frequency Analysis.While every reasonable attempt has been taken to ensure accuracy in the preparation of this guide, the author accepts no responsibility for any errors or the consequences thereof. Many thanks to Nathan (planetnine) for his assistance, especially with matters technical. More detailed explanations are given for those effects which are more REAPER specific, such as ReaVocode and ReaVoice. It is not intended to serve as a comprehensive course on the subject of audio effects and their many potential applications! For that reason, for commonly used types of effects – such as equalizers and compressors – a basic understanding of the purpose of such effects is assumed. It serves to supplement the User Guide, not replace it. This document is intended to provide a summary of the various COCKOS plug-ins supplied with REAPER, their broad purpose, the meaning of their various parameter controls and how to operate them.
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